I think it was two (or was it three?) years ago when Graffiti Moon was enthusiastically recommended on almost every YA book blog I read. It’s been on my mental “one day” list for a long time, but I never actually got around to buying myself a copy (I think it was a combination of wanting a paperback edition and preferring the Australian cover to the American one). Finally, I had my chance to read it through Holly of The Book Harbinger. Thanks Secret Santa!
The Premise: (from the back blurb) “Senior year is over, and Lucy has the perfect way to celebrate: tonight she’s going to find Shadow, the mysterious graffiti artist whose work appears all over the city. Somewhere in the glassy darkness, he’s out there, spraying color, spraying birds and blue sky on the night. And Lucy knows that a guy who paints like Shadow is someone she could fall for — really fall for.
The last person Lucy wants to spend this night with is Ed, the guy she’s managed to avoid since punching him in the nose on the most awkward date of her life. But when Ed tells Lucy he knows where to find Shadow, the two of them are suddenly on all all-night search to places where Shadow’s pieces of heartbreak and escape echo off the city walls. And what Lucy can’t see is the one thing that’s right before her eyes.”
My Thoughts: This is a story told from mostly two points of view: that of Lucy, celebrating the end of year twelve with her friends Jazz and Daisy, and that of Ed, a high school dropout who has a few hours to kill before he and his friends Leo and Dylan plan to break into the school. Ed and Lucy know each other, but between them lies a gulf filled with awkwardness. They had one date that ended in humiliation, and neither of them have quite gotten over it. For Lucy, it cemented her belief that outside of books (and the possible exception of her obsession, Shadow), looking for a kindred spirit amongst the local boys only leads to disappointment. For Ed, their date was yet another demoralizing event in a long string of demoralizing events.
It’s not really anyone’s fault. Lucy doesn’t know a lot of things about Ed because he never confided in her. And Ed is so used to hiding the truth that it’s led to a spectacular failure of a date and his dropping out of school. It doesn’t help that Ed and his mom were barely scraping by before he lost his job. Now he’s worried about the rent and making decisions out of desperation rather than good judgement. That brings them to where they are now: Lucy and her friends with nothing more pressing on their minds than a night of fun and possibility, Ed and his friends going along, but keeping their secrets.
What follows is a read that hit the sweet spot: not too short, but not overly long; sweet but not fluffy; predictable in a comforting way, but also utterly different from anything else I’ve read. And just the right amount of humor to keep everything going. I couldn’t help liking Lucy and Ed immediately. Lucy with her instant friendships and her take-no-nonsense edge, and Ed, who is a little bit lost and deserves a break. Most of this book was just Ed and Lucy talking, and their banter is pretty great, but also reading what each is thinking about the other as we switch back and forth between them makes their interactions even better. Ed’s unease with hiding things from Lucy makes for some parts particularly poignant.
The book that Graffiti Moon is probably most compared to is Nick and Norah’s Infinite Playlist. Music is to Nick and Norah, as Art is to Graffiti Moon. When the shared interest in creativity comes with a night-long adventure on the town, bumping into ex-girlfriends, and skirting from trouble, it’s no wonder that the two books are considered similar. But the similarities are superficial. These stories hit me in different ways. I feel like Nick and Norah’s Infinite Playlist has a young adult world that’s separate from authority figures and responsibility; it exists within an intimate sphere and is about the magic that happens when people develop a connection. In Graffiti Moon, that frisson is there too, it’s just that here the characters aren’t so separate from their day-to-day lives. This is particularly true for Ed, who is constantly struggling to just get through life because he worrying about money and helping his single-parent mother who’s making her way through nursing school. Ed’s mind is always in quiet turmoil, and there’s this tension in watching someone who knows better start to take the wrong turn.
I think that what really got me with this book was how being a dreamer and using creative expression was portrayed so positively, beyond just being the common denominator between Ed and Lucy. My sister is the artist in the family, and I can tell you that going to the MoMA with her is a whole different experience than going with non-artist friends. Because of this, I just loved reading Lucy geeking out over art. And I loved that art could change Ed’s life in a real, not just metaphorical way, if only Ed would let it. I also loved that Ed and Lucy have parents and mentors who encourage them instead of dissuading them. It was nice to read the interactions between Ed and Lucy and those adults. I loved all these things because every time either Ed or Lucy think about something that inspires them, their words became particularly poetic. It made me root for them to keep this.
Overall: Really good. I think this one will have wide appeal — its writing is unassuming and accessible, but if you want depth you’ll find it. Also this is one of those books that pleasantly lingers. It could be because of the beautiful artwork painted with words, or because certain things here make you ruminate afterward. I found myself thinking about how Graffiti Moon was about the juxtaposition between imagination and reality and when I saw that theme I couldn’t stop thinking of examples: in the way Lucy and Ed’s lives became the basis for their art, in Lucy’s expectations of Shadow versus the truth as Ed knew it, and in the way art affected both their lives. It was nice to think about art and life for a little while.
Buy: Amazon | Powell’s | The Book Depository
Inkcrush – 5 stars (“Somehow this book perfectly captures how I felt as a teen – that big dreaming scheming place in my head”)
need_tea – B+/A- (“My initial reaction was perhaps a bit tepid, liked it but it wasn’t that great, but over time I thought about it some more and my opinion of it rose”)
Bookchilla – 4/5 (“Lucy & Ed’s story unfolded very nicely and wrapped up in such a feel good way”)
Bunbury in the Stacks - (“My experience with Graffiti Mooncould be summed up using a number of variations of the sentence: “I don’t like _________, but I liked it in this book.””)
Angieville – (“GRAFFITI MOON is a gem–a breath of fresh air.”)
Fangirl comes out in September this year. This is an early review on an ARC I received at BEA.
The Premise: It’s fall semester of freshman year, and Cather (aka Cath, the Less Adventurous Twin), feels lost amongst the other undergraduates. Her sister Wren has basically abandoned her (“if we do this together, people will treat us like we’re the same person”); her dad is home alone and Cath worries about that; her roommate Reagan is scary, and comes with the too-friendly Levi, who is in their room all the time. All Cath wants is to be left alone to work on her massively popular and novel length Simon and Baz fan fiction, Carry On, but college is getting in the way, and college is hard.
My Thoughts: Reading Fangirl is a comforting exercise. It’s one of those books where you open it’s pages and don’t notice the words because it takes no time to be engulfed. What’s more, nothing extraordinary may be happening on the page — moving into the dorms, briefly meeting a new roommate, saying goodbye to relatives, but there is an engrossing quality to how the characters reveal themselves through their everyday interactions. Well, sort of everyday. It’s not every day you move away from home and have your support system disappear. Titular character Cath thinks that college is hard, but I think the real issue is having to do it alone. Without her twin Wren at her side, Cath is too anxious to even go to the cafeteria by herself and lives off a stash of energy bars rather than find out where it is. She sits in the bathroom stalls quietly crying while the other girls in her hall are meeting one another. She is a quintessential introvert, her mind focused on an inner world, and who doesn’t like to get out of her comfort zone. Her sister may call her 3 year (now long distance) boyfriend an “end table”, but Cath is content with things being as they are.
You know where this is going. Cath can’t have the world stay safe and easy, and it won’t pause for her. Eventually she has to interact with others and be absorbed into new people’s orbits, and no matter what she does, other people and their lives affect hers. First (and most obvious) to impact her is her sister’s desertion, a strange flip in loyalty that leaves Cath floundering, but her sister is not the only family member that can rattle Cath. In college itself, Cath can’t avoid her roommate Reagan or the ubiquitous Levi, but then there’s also people from her classes like Nick from Creative Writing and the assortment of new acquaintances Cath picks up because she doesn’t want to be rude.
What I liked though, is that Cath got to stay herself while having to accept change. This is not a story with the moral that being introverted does you no good; it’s perfectly fine to be that way. In fact, one of my favorite parts of the story is Cath’s private world and her devotion to the Simon Snow series. Fan fiction is so popular now, it’s practically mainstream, but I don’t think I’ve ever heard of a story that embraces that subculture the way that Fangirl does. I don’t think of myself as part of that subculture, but even I know about ‘slash’ and ‘ships’, and there’s a certain joy in recognizing that Simon Snow is a riff on Harry Potter. Obviously (points at book blog), I get the whole fan and being into books thing, and any time Cath waxed poetic about characters she loves, or I read excerpts of Simon Snow or Cath’s fan fiction (placed like intermissions between chapters) and recognized elements, I grinned internally. I loved how this is important to Cath’s life and reflects as such in her conversations and relationships. Simon or simply, “stories” and “storytelling” is shared ground between Cath and others and there are a lot of scenes where it is the bridge between minds.
For all of Cath’s fangirl-ly-ness I connected with Cath while also not really connecting with her. The introverted, wanting-to-be-alone parts I could understand, but some of her more extreme coping mechanisms (like not bothering to find the cafeteria and essentially starving) I could not. It doesn’t matter though. What matters is that even if I didn’t always understand her, I always felt for Cath. It was the same for the secondary characters who didn’t always make the best choices but managed to make me care about them. This is what I want New Adult fiction to be–not a marketing term that means sex, but an extension of the coming-of-age tale into a post-adolescent bracket. Fangirl captures the awkward unsure side of tasting independence for the first time.
The last thing I want to say about Fangirl is that it is surprising. There were some things that I was expecting, but in the end, this story made it’s characters a lot more complicated than I thought they were going to be, and thus bucked all my predictions. This includes a blossoming romance that I thought was going to be smooth and sweet but defied me by being almost painfully uncertain instead (and was the better for it). If you think you know what’s going to happen after reading the first 50 pages, you’d probably be wrong. The plot is essentially about relationship growth, and every single relationship Cath began in safe little boxes and mushroomed out to be unique and nuanced and entirely different beasts from which they began.
Overall: Really, really, good. I found very little to complain about, and when I did, it was always a personal reaction to a character’s actions and no reflection on the actual writing or story — not worth going over in this review. And it actually seems to get better the more I reflect on it after finishing it. I hadn’t read anything by Rainbow Rowell before but it hasn’t missed my attention how many fans she has in the book blogging community. I waited in line for a copy of Fangirl because of the hype, and it was a very long wait. I can tell you now: it was utterly worth it.
P.S. How about that cover? I felt proud of myself for recognizing the artwork of gingerhaze.
Not yet as far as I could tell (I searched amongst my book blog friends), but if I missed yours, let me know.
The Premise: Adrienne Satti was an orphan that was adopted into the aristocracy, an unlikely rags-to-riches story that turned sour when she became the sole survivor of a horrific massacre and had to disappear. Now she is a thief called Widdershins that regularly gets in trouble – both with the law and with her own guild. Unfortunately people are still looking for Adrienne Satti, and maybe one day someone will figure out that Widdershins and she are one and the same. Oh, and she is the only worshiper of the god Olgun, and he lives inside her head.
My Thoughts: This is a book that I bought for purely shallow reasons: the cover pleases me. I like the use of the white background, the title placement, and the unexpected figure hanging from a ceiling beam. It does have a bit of a young adult feel (young woman on cover seems to equal YA these days), but I didn’t really realize it was YA until I looked it up on the publisher’s website. Despite just wanting this book because it’s so pretty, I didn’t pounce until I found a nice used copy because of on-the-fence (not really stellar, but not hating it either) reviews from reviewers I trust.
So. Thieves, guilds, remarkable orphans, and a pantheon of gods that can directly communicate with their worshipers (if they so wish to). These are very well-worn tropes of fantasy and they form the building blocks of the world within Thief’s Covenant. I don’t really find this a bad thing, it’s comfort food if it’s not new-to-you, and fun if it is. What I think this story does differently is that injects an entertainment to everything. What I mean by that is: no matter what grim thing is happening on the page, the prose manages to veer off into humorous territory. You can start a scene where grim Guardsmen are examining the grisly remains of a dozen aristocrats, the floor positively awash in blood, when the focus shifts to the rafters above them where a whisper-conversation is taking place between Adrienne and her god Olgun. They’re both in shock because, well what kind of secret cult keeps written records?!
I liked the humor to a certain extent. When the jokes were gentle elbow-nudges, I was on board, but it could get rather slapstick-y, which is less of my cup of tea. Either way, there’s enough lightheartedness in here for me to appreciate the entertainment. One running gag was how basically everyone was after Adrienne/Widdershins but she always manages to one-up them. The Guardsmen are after Adrienne for one reason, and Widdershins for another. The Finder’s Guild are after Widdershins for her general cheekiness, and there’s a third group that just wants to find Widdershins/Adrienne to kill the survivor of the massacre. The whole book makes me think of a hall of doors chase scene mixed with elements of ‘Home Alone’. Whenever Adrienne is caught, I feel like she always turns it around, leaving her captors worse off.
What is surprising is how this type of humor is juxtaposed with violence. That’s where my one real complaint about the story stems from — strangely, more because of how the secondary characters suffered than for the violence itself (although that was also jarring in the midst of what is mostly a caper). I felt like with so many throw-away characters, no chance for something deeper than a set of archetypes as the supporting cast. I would’ve enjoyed delving further and seeing their relationships with Widdershins develop. Maybe the point is to keep Widdershins isolated, or to add grit to the story. I don’t know, all I know is I wound up feeling unfulfilled, and questioning if how things played out was how it had to go. The humor and adventure in the story mostly balances out this ruffled feeling, but didn’t erase it entirely.
I have the second book of this series, False Covenant, on the to-be-read pile. I plan to read it soon.
Overall: The world building is typical fantasy fare and the secondary characters don’t really get the development they could, but the prose and humor evens things out so what you are left with is something that falls squarely on middle ground. I would recommend this as something to try if what you’re looking for is simply entertainment.
The Book Smugglers – Joint rating was: 6 (Good, recommended with reservations)
Bitching, Books, and Baking – 5 beaters (out of 5): “There are WORDS in them thar pages! Glorious, well thought-out WORDS!”
Book Girl of Mur-y-Castell – “The ever so cool Widdershins made this my fav Marmell book to date”
The Raven Boys was chosen as December’s YAcker read. You can check out our discussion here.
The Premise: Every psychic Blue Sargent has ever gone to tells her the same thing: if she kisses her true love, he will die. Other people might dismiss such claims, but Blue lives in a house with her mother Maura and a group of women who are in the business of telling fortunes, and she knows how accurate their readings can be. Blue’s fate has hung over her head for much of her life, but when her aunt Neeve joins the household, she gives Blue a timeline. This is the year that Blue is going to fall in love.
If that isn’t a grave enough portent for the year, Blue also sees the spirit of a boy during St. Mark’s Eve, when the soon-to-dead march through the grounds of an abandoned church. The boy whispers that his name is Gansey. Blue has no psychic powers of her own (she only magnifies what others see), so seeing Gansey has one of two meanings: either she is responsible for his death, or he is her true love.
In the meantime, Richard “Dick” Campbell Gansey, III (Gansey to his friends) attends the nearby Aglionby Academy. Outwardly he has the ease and confidence of the rich and privileged and he leads a gaggle of Aglionby misfits: Adam, Ronan, and Noah. But inwardly, Gansey is more than he appears. He’s a finder of lost things, and he’s searching for something in particular, something ancient and magical: Glendower, a sleeping king who will grant a boon to whomever wakes him.
“I should tell you,” Maura always advised her new clients, “that this reading will be accurate, but not specific.”
It was easier that way.
But this was not what Blue was told. Again and again, she had her fingers spread wide, her palm examined, her cards plucked from velvet-edged decks and spread across the fuzz of a family friend’s living room carpet. Thumbs were pressed to the mystical, invisible third eye that was said to lie between everyone’s eyebrows. Runes were cast and dreams interpreted, tea leaves scrutinized and séances conducted.
All the women came to the same conclusion, blunt and inexplicably specific. What they all agreed on, in many different clairvoyant languages, was this:
If Blue was to kiss her true love, he would die.
The Raven Boys begins with a sense of anticipation. The first chapters follow Blue and Gansey separately, but because of fate, Blue’s curse, and St. Mark’s Eve, the reader knows these two characters are meant to cross paths. Blue sees a boy’s spirit whispering the name Gansey, and sitting on a ley line on the other side of town, Gansey picks up the very same conversation on his recorder. Obviously Blue and Gansey are part of a bigger mystery, a mystery that they can only see the edges of from different angles.
Blue was born into the strangeness in Henrietta. She is working class and lives surrounded by women who tell fortunes and are well aware of the ley lines that make her town special. Gansey couldn’t be more different. He was born into privilege and has never experienced life without the ease that money brings to it. Despite this, he leads a pack of misfit boys at Algionby academy and has an obsession with mystic phenomena and a king named Glendower. In spite of their differences, Blue and Gansey’s lives hold some parallels. Mystery swirls around them and they share their lives with people that hold secrets. While Blue lives with her mother and older women named Calla, Persephone, and Orla (in a set-up that doesn’t seem to be unlike what I imagine a coven to be like), Gansey lives in the husk of an old factory with a couple of boys that don’t fit anywhere else. Her mother and her surrogate aunts warn Blue about kissing boys and avoid discussing Blue’s absent father. Gansey is is leader and support for his friends but there’s a line he can’t cross that keeps Noah elusive, Ronan surly, and Adam defensive.
I liked the way things were set up in this story: Blue’s world about to collide with Gansey’s. Wondering what would happen when these two finally meet had me turning the pages eagerly. Unfortunately, somewhere after the initial set up and the actual crossing of paths, something happened. I never felt fully captured by the story in the way I wanted. It took me a long time to parse out what happened there. My reaction was frustratingly in the middle-of-the-road, and I couldn’t help comparing it to my fellow YAckers who mostly loved the book. I know that reading is a personal experience, subject to mood and a myriad other factors, but while I knew what I liked, I couldn’t pinpoint what kept me from wholeheartedly loving The Raven Boys.
Cut to over a month later, some angst over separating my reading experience from the end of a stressful year, a reread of The Raven Boys, more angst, and I think I have a better idea of what my problem was. Technically, this should have been a winner: the writing is engaging and of good quality; there’s a mishmash of eccentric characters; and the main story centers on mysteries that reveal themselves in slow degrees. Individually each character had his or her own fascinating back story. But for me, some of these strengths also translated into weaknesses. Everyone had some personal albatross: Blue with her curse and her unknown father; Gansey and his obsession for which there is no explanation; Ronan’s father’s death and his subsequent broodiness; Adam with his poverty, pride, and miserable home-life. Even Noah, who is practically a non-entity at the start of the book turns out to be more than meets the eye. On top of that, the antagonist of this story has his crosses to bear. My problem was with so many complex/tragic/secret back stories, the focus felt fragmented. Blue and Gansey took the spotlight the most, but I felt like I was focusing on the other characters through them instead of focusing on them. I’m all for characters having depth, but when there’s a mystery or tragedy to everyone, it felt like too much to me. You could argue it all links back to the phenomena surrounding Henrietta, but (for me) it created an imbalance. Every issue I had stemmed from this central one. The pacing in the first 150 to 200 pages feels meandering, and the narration hops between characters for some time before something vaguely plot-like appears. I think Gansey and Blue were the protagonists of this story, but I question if that assumption is correct. Then when the pace picks up and the story gathers focus, I felt like certain things like Blue’s acceptance into Gansey’s group didn’t get the attention I wanted. It took me longer than necessary to finish The Raven Boys because I felt adrift.
On the other hand – did I like these characters? Did I want to know what was happening to them? I did. The characters that I loved most are the ones where veil is pulled back a little more in the narration. When that happened, oohh, that’s when I adored this book. That’s why I think I have more of a soft spot for Blue, Gansey, and Adam than the rest of this group. We’re shown Blue’s prickliness towards the raven boys, and Adam’s self-consciousness about being poor, and Gansey’s good intentions that never seem to go right when he deals with either of them. I was half-irritated with Adam’s pride until I came to a realization that his parents failed him when they instilled an us-versus-them mentality in him (which really covers their sins and did Adam no favors), and I was kind of blown away by that epiphany. And then there’s this sweet fledgling maybe between Adam and Blue. It made me hope, but also fear a little, because thrown into the mix is Blue’s curse that points at Gansey. Everything in this story is so fragile and so breakable, and there is no certainty. I’d very much like to find out what happens next.
Overall: There were things I really liked about The Raven Boys and things I really didn’t and they balanced each other out. If you are one who can sit back and enjoy a character-driven story with lovely prose and you don’t need to know where it’s all going, this will do quite well. I think that I needed more structure though. In the end I enjoyed the characters more than the plot. But now that the set up is done, I think I’ll react better to the second book, so I’m planning to continue the series and I’m really looking forward to The Dream Thieves.
The Raven Boys website
The Premise: This is the story of young dwarf Jepp, who grew up in Astraveld, a crossroads between the Spanish Netherlands and the Protestant North. Loved by his mother, who runs a bustling inn, Jepp is treated like a prince and is fiercely protected. It is a good life, but when he is fifteen years old, a man comes by the inn, offering to bring Jepp to the court of the Infanta Isabella Clara Eugenia and her husband, Archduke Albert of Austria. Eager to see the world beyond the narrow one he knows, Jepp agrees. He has always held a dream of one day meeting his father and he believes that the man offering to take him away is part of his fate. This begins Jepp’s journey away from childhood and all its innocence and into the big world, where perhaps he can
My Thoughts: Before reading Jepp, Who Defied the Stars, I didn’t really know what this book was about or what category of young adult it belonged to. I actually thought Jepp was YA fantasy at first because it begins at a inn at a crossroads (familiar Fantasy territory). I soon figured out that I was reading historical fiction when Jepp says he lives in the Spanish Netherlands and mentions the Infanta Isabella, its sovereign from 1598 to 1621. There’s an author’s note at the end of the book that explains the real life people and events that inspired Jepp, (which is fascinating and worth reading), and basically Jepp did exist, but little is known about his life. Marsh took the question of who Jepp was and extrapolated that into this story. Jepp is divided into three “Books”, and each “Book” seems to correspond to a change in scenery and a new direction in Jepp’s life.
Book I begins while Jepp still lives in his mother’s domain, but not for long. A man named Don Diego comes to the inn and invites him to he court of the Infanta Isabella, and that’s where Jepp stays for this part of the story. Jepp is still rather innocent and unsure of himself so he is mostly an observer, doing what he is bid by the others around him. We get Jepp’s impressions of the specially designed rooms for the court dwarfs, the gardens where they arranged themselves in a tableau for the Infanta’s pleasure, and the performances where he has to play the fool for a few laughs. As for the people at court, Jepp focus is narrow: Don Diego; the other dwarfs, Sebastian, Lia, and Maria; the court jester Pim, who arranges the entertainment; and Hendrika, the mistress who oversees them. These people are the ones he interacts with most, and everyone else is hazy and not so well-defined.
Despite Jepp’s faithful descriptions, there’s the sense that there’s a certain naivety in what Jepp observes. He sees things that trouble him, but does not fully comprehend them until later. He dislikes his treatment at the palace, but doesn’t immediately see the same misery in others. His youth is part of the story, but I found some of this innocent observation and floating along very passive. Basically, Jepp wasn’t really doing anything, and this didn’t make him easy for me to connect to. The only goal he seemed to have was to one day find out the identity of his father, but there seems no way of doing so away from his mother, and so I felt like there wasn’t much of a direction to the story. Sometimes there are other things that saves a story for me in this situation, like a romance I could sink my teeth into, but even here, Jepp disappoints. He thinks he’s in love, but he barely knows the girl. When things do finally pick up, it is instigated by a situation someone else is in, and Jepp is pulled into it by his sweet nature and wanting to help. Of course this changes his life, and propels his fate along in a way he doesn’t expect.
There’s some drama as the story segues into Book II, but the story stalls for a second time as Jepp repeats what he’s done before: letting things happen to him, and observing rather than doing. The eccentricities of his surroundings is where the entertainment lies, not in Jepp’s own actions. Of course Jepp, Who Defied the Stars gets better – Jepp does start to take his fate into his own hands, if you will, and it’s nice that when I think back now, I see how Book I is reflected in Book II, but with an older and wiser Jepp, one who begins to take part in his own life – but reading was a slow process (I’m sorry to report that I kept putting the book down and sighing for at least the first half). The last third of the book (Book III) ended up being the best third for me, but it takes some patience to get there. The change in Jepp from passive to active removes a lot of the issues I had with reading, and with his relationships with other characters.
Jepp, Who Defied the Stars essentially becomes a story about fate versus free will, but this isn’t a clear message for me until the author’s notes at the end. I liked Marsh’s own personal relationship with this theme that she described in the addendum, but I’m not sure if the idea that Jepp was fighting against some fate was really something I picked up on while reading this story. I think the history itself was a little bit more interesting. Despite being set in the past, this story does a good job of keeping the focus on Jepp’s personal experiences rather than on History. However, Jepp’s voice has a formality to it that is a deliberate reflection of the time (Marsh notes she was careful to choose words in use before 1600 when writing Jepp), and the language contributed to feeling like I couldn’t comfortably sink into the story.
Overall: I have a sort of “middle ground” reaction to Jepp. I wasn’t wowed while I was reading it, and Jepp’s passivity and the formality of his narration made me feel impatient with the story. On the other hand, I can see that these were deliberate choices in the writing because of the theme of “fate versus free will” and because of the time period that Jepp is set. I think my visceral response usually determines how I feel about a story and for much of this book, I felt like I was plodding along, but when I think about it analytically, it comes off much better. So: this may be more for the “thinkers” than it is for the “feelers”.
The Book Smugglers – 7 (Very Good)
The Book Harbinger – positive (“it wasn’t only the engaging history but also the character of Jepp himself which drew me in from the start.”)
Word for Teens – DNF
Book Nut – “Overall, it’s a bit uneven” but also, “found it to be a wonderful bit of historical fiction”
(Also may I say, this book was BEAUTIFULLY designed? I loved how the inner pages were NAVY with pretty endpages and chapter headings, and the cover had shiny bits on a matte background, silver font, and those stars. Gorgeous.)
A few weeks ago I went to the Greenburgh Library Book Sale and picked up several books, including this one. Isn’t the cover adorable? I think the wistful, fresh-faced look of the cover model is a perfect representation for what’s inside.
The Premise: Leigh Nolan is a freshman psychology major at Stiles College – a progressive school where students aren’t graded and are expected to take charge of their own education. In a small school like Stiles, this means quite a few over achievers, “freaking out about their entire academic career” a couple of months into their first year. It’s a trying time, but on top of trying to decide on a topic for her senior thesis, mentoring cynical middle school students, and dealing with other competitive psych majors, Leigh is also questioning her relationship with Andrew, her high school boyfriend and fellow Stiles underclassman. Lately their relationship has lost it’s luster, and Leigh is confused by how much she’s noticing Nathan, Andrew’s roommate who never seems happy to be around her.
My Thoughts: Well this was as cute a story as I was hoping for. I think it has the right amount of the expected love story, but it’s balanced by writing that gives Leigh a faceted and likable character. Her psychology major fits nicely with delving into her psyche. Leigh is constantly self-evaluating and acknowledges her own quirks, which include (but are not limited to): refusing to buy a parking pass, waiting until the last minute with her assignments, and a fear of being stranded in the desert. To add to the theme, each chapter begins with a psychological term and its definition, which foreshadows what’s to come.
Ask her some psychology related thing, and Leigh can dredge up what she learned in AP Psychology and class. But for all her book smarts, Leigh is a bit naive. She still has NO clue that her relationship with her boyfriend is in trouble. When you forget a date, and so does he, it doesn’t really say you’re feverishly in love. Leigh’s roommate (and best friend) Ami isn’t enthusiastic about Andrew, but Leigh defends him:
“Ami doesn’t have the benefit of all these great memories, so she continues to think that he doesn’t treat me as well as I deserve. Which, in a way, is totally loyal and cool of her– but completely unfounded. Well, mostly. If anything, his main problem is just that he’s too smart. He has so much going on in his brain at any given moment that it’s no wonder he’s a little absentminded sometimes.”
Leigh rationalizes Andrew’s non-attentiveness and the distancing that has happened between them since school started. To be honest, from Leigh’s workload, I can understand why it’s easy for her to do so. She’s quite busy with college herself. Her day-to-day life involves going to class, meeting with her academic adviser, long talks with her roommate, and waiting till the last minute to do her work. (As an aside, Psych Major Syndrome captures the college experience really well — when Leigh stays up till 5am writing a 20-page essay, the details of falling asleep and waking up with barely enough time to hand it in, felt eerily familiar). But schoolwork only goes so far as an excuse, and eventually Leigh has to face what’s really going on between herself and Andrew.
In the meantime, all that schoolwork and the social life of college means that Leigh has a pretty full life, and it’s not all about her romantic relationships in this book. The interactions between Leigh and Ami, the other psychology students, her mentee, and Nathan are all natural extensions of her life and nothing ever feels forced about them. Even if I could predict exactly where the story was going to go, Psych Major Syndrome adds enough humor and color to make the predictability pleasant and comforting instead of dull. Also (and here I go back to the romance), Leigh’s happy ending is one of the sweetest ones I’ve read in a while. I ended up really liking the guy she is paired with, even if I thought he was a bit of a fantasy boy. I can overlook how Leigh acted before she figured out what she wanted because of how well this guy suited her – it all ended on just the right note.
Overall: A sweet and fast comfort read. It has a good balance between an expected plot and a unique approach to that plot. Leigh is an endearing narrator, and I enjoyed this reminder of college life.
One More Page – ” a very entertaining contemporary YA read, even if there’s really nothing surprising about it”
A Room With Books – “Psych Major Syndrome was an okay read. Leigh was much too blind to everything around her for me really connect.”
As already mentioned on this blog, Unspoken was the pick of last month’s YAcker’s talk. This was something I suggested because I read it and really enjoyed it. It’s got humor, a Gothic storyline, and believable relationships. That’s a cool combination right there. Plus, it has a knock-me-flat ending, and I kind of love those.
This review is based off an eARC I received through NetGalley.
The Premise: Kami Glass is cheerfully odd. She has long conversations in her head with a boy named Jared way beyond the age when having an imaginary friend is deemed acceptable. Also, she’s full of crazy ideas. These are all in Pursuit of the Truth, like exposing the dark underbelly of the cricket club, which often requires that she ‘volunteer’ her best friend Angela in her madcap schemes. Her latest plan involves her quiet hometown, Sorry-in-the-Vale. Nothing really happens there. Nevertheless, she, the intrepid journalist, will discover its secrets. She’s just convinced her school to let her start a newspaper and she is just burning to find a story. The most obvious topic for news is the Lynburns. They are the family that originally founded Sorry-in-the-Vale, and own a big mansion overlooking the town that has stood empty since Kami’s been alive. Now the Lynburn family has returned, and among them are teenage cousins Ash and Jared. Since the Lynburns have returned, strange things are starting to happen around town, and Kami discovers something she may have never wanted to know: the voice in her head is definitely not imaginary and belongs to a very real Lynburn boy.
My Thoughts: This is actually my first experience reading Sarah Rees Brennan, so I came into this story without knowing what to expect. From the cover and the blurb of Unspoken, I thought I would get a Gothic mystery, but what I didn’t expect was the humor. It infuses the story with a lightheartedness that makes a serious plot into something fun. I loved the banter between characters – banter that was not just funny and highlighted the camaraderie between Kami and the other characters, but that also conveyed everyone’s individuality – like Kami’s gung-ho personality and Angela’s antisocial one:
“There are only two important things for us to discuss right now,” Kami said. “The first is that to be a success, our newspaper requires a photographer.”
“What’s the other thing?”
“He’d be excellent decoration for our headquarters,”Kami said. “You have to admit, he’s very good-looking, and I need a photographer, so can I keep him, please, oh, please?”
Angela sighed. In the cupboard, the sigh was like a gust of wind. “Kami, you know I hate guys being around all the time. They won’t stop staring and bothering me and giving me the sad, sad eyes like a puppy dog until I just want to kick them. Like a puppy dog.”
“So you have some puppy issues,” Kami observed.
The cupboard door swung suddenly open.
The new boy stood framed by the bright light of the office.
“Sorry to interrupt,” he said. “But I can hear everything you’re saying.”
“Ah,” said Kami.
Right off the bat, Kami reads a this kooky girl who just really wants to nose her way into finding things out. Like some sort of amateur sleuth, she bulldozes her way into getting her best friend to join whatever scheme she has currently cooking up and sort of exasperates Angela with her enthusiasm until she relents. Kami does get her way and signs up the new boy to be their paper’s photographer, as she does with many other things. But without this irreverent personality a lot of the story wouldn’t be. Kami is the star character; the glue that binds the story together. Without her, there wouldn’t be a newspaper, and when weird things start happening, there wouldn’t be anyone even paying attention.
With Kami, students who previously didn’t really belong to a group, suddenly do – Kami and Angela are joined by Holly and the two Lynburn boys, and soon everyone is interacting in lovely, complicated ways. Kami and Angela navigate including another girl into their circle and what this means for their current friendship, Ash and Jared prove to be cousins who just met each other for the first time, and Kami is put in the awkward position of getting attention from not just Ash but Jared as well. What I liked was that these were relationships that were nuanced and evolving and that there’s a fair amount of growing pain that comes along with the humor and banter. I liked the healthy female friendships here, and the lesson and that there’s always something to learn about people you think you know. Angela’s prickliness, but her surprising vulnerability under that, won my heart.
But particularly delicious for me was Kami’s relationship with Jared.
Kami did not feel comfortable talking about Jared’s mother, but she knew they didn’t have a good relationship.She also knew it was irrational and illogical and insane to worry about his family troubles. It was insane to care so much in the first place. He was a voice in her head, after all:she tried not to think about it too much because it made her think she really might be crazy.
Jared filled in the silence. She wants me to stop talking to you.
Kami did not let her dread touch him. And will you stop? she asked, trying to show him nothing but support.
I told her I had to think about it, said Jared wearily.
Kami curled tighter under the covers, feeling cold. Jared said nothing else. There was silence in her head and silence beneath her window, and still she could not sleep
While Kami always feels reassured by the Jared in her mind, they’ve had to build barriers between themselves in order to appear sane. The voices scare their mothers, and Kami has stopped asking Jared about his life or talking about him with others. So when Kami meets Jared in person, he is so rude and unlike her Jared that she doesn’t make the connection until it’s blatantly obvious the two Jareds are one and the same. I liked that there was a dissonance between inner and outer personalities, because so often how people read you can be so different from what is in your head. Unfortunately it’s not just different perceptions that Kami and Jared have to contend with. The mental barriers between them adds the awkwardness of literally being in someone’s head but not really knowing them, and their lifelong link means both have a desperate need for the other. The irony is that being in each other’s head actually makes it more difficult for them to communicate their feelings for one another than less. There’s no telling if their intense feelings are real, and if one were to feel a certain way about the other that isn’t reciprocated, being stuck with them for the rest of your life is a special kind of Hell. This situation combined with teenaged angst is a recipe for relationship drama and catastrophe.
Speaking of drama, Unspoken is very Gothic. Some of the Gothic elements added a certain creepiness to the story, some of it felt tongue-in-cheek, but all of it felt very familiar to the genre. There are dark, spooky nights with strange noises, a mysterious caste, a ruin, the strange Lynburn family, dead animals, and many more. Even the interest in Kami by the two Lynburns and her hesitant response is not unfamiliar when it comes to Gothic romance. The story is very atmospheric, with a certain amount of build up: questions about what secrets Sorry-in-the-Vale holds, and hints of a dark entity in the town, but without any solid confirmation that anything is really going on until the story is well underway. I really enjoyed how these elements were pulled into the story but didn’t make Unspoken feel old-fashioned. The teen protagonists and the snappy dialogue kept everything modern.
Also keeping this story in this century: the fact that Kami was a quarter Japanese (her father is half), and so are her two younger brothers. I’m always happy to see characters with a mixed racial heritage since I am too. I particularly liked that Kami and her brother Tomo looked more like their dad, and her brother Ten looked more like their mom. I think those true-to-real-life details are important.
So about that ending. When I was updating my goodreads status, I think I called the ending a cliffhanger, but I don’t think that is technically true. No one is in dire danger and there’s no shocking revelation, but there is some drama that left me dying to find out what happens next. I expect angst and even more drama, and usually I am not a fan of these, but Unspoken is the exception: I actually LOVED how it ended. I think it opens up a lot of possibilities for where the story can go and I’m excited that we could be on an emotional rollercoaster next. So delicious!
Overall: I am a fan. I didn’t expect to be so won over by this book, but I am. The concept of young adult with Gothic overtones is done in a fresh and satisfying way, the characters are nuanced with fully-fleshed and engaging emotional lives, and the humor takes it to another level. The balance between these things guaranteed that I would thoroughly enjoy Unspoken.
The Book Harbinger – “it’s going to be a long wait for Unbound.”
The Mountains of Instead – “While Unspoken is an enjoyable read it is not without flaws.”
Book Nut – “[Brennan] has a way of keeping me engaged, turning pages, until her satisfying-yet-frustratingly-open conclusion.”
Fantasy Literature – 3.5 stars
The Book Smugglers – 7 (Very Good), “The most striking thing [...] is its combination of the utterly familiar and the clearly distinct.”
Smexy Books – B, “a huge, enjoyable surprise”
The Adventures of Cecelia Bedelia – “on my ‘Best of 2012’ list.”
Clear Eyes, Full Shelves – “between this novel and Team Human, I’m pretty much hooked on Sarah Rees Brennan’s writing”
Bunbury in the Stacks – “The struggle of a relationship that is both symbiotic and parasitic makes Unspoken shine”
This was a book that popped on my radar because of a On the Smuggler’s Radar post over at the Book Smugglers. Pirates and assassins and curses (oh my)! Throw in the suggestion of a romance in there and you have me obsessively searching for info online. Finally I checked Netgalley and it was there! I hit that button to request it in a flash. Meaning to read the book after the books I was supposed to read, I downloaded it and.. looked at the first few pages. Yeah, so three hours later at 2am I was done. I couldn’t help it. This was a fun fun book and it was so easy to zoom straight through it.
The Premise: Ananna belongs to a respected family within the Pirates’ Confederation, the Tanarau clan, and she’s spent all her seventeen years living on a boat. She’s proud of being a rough-and-tumble pirate, but when her family arranges an alliance with the low-ranked but rich Hariri clan by marrying Ananna off to their son, Ananna balks. During the introductions to her husband-to-be, Ananna plays along, but at the first chance she gets, she’s is on a camel and leaving her fiance in the dust. Unfortunately, the Hariri clan employs assassins when they are displeased. Skilled at both combat and blood magic, assassins are almost legend — not real. Or so Ananna thought, until an assassin appears. Desperate and terrified, Ananna makes a split-second decision which shockingly activates a curse and chains her to the very man hired to kill her.
My Thoughts: This book starts off abruptly. It begins right in the middle of Ananna’s meeting with her new fiance. She makes a quick assessment of his prospects as a pirate captain (not stellar), and escapes. At first I had some catching up to do to understand Ananna’s situation, but once she moves from prospective bride to escaped fugitive, I got the gist: Ananna is a pirate princess and being married off is not on her agenda. Fleeing on camel, Ananna takes to the streets like a female Artful Dodger, using the skills learned over a lifetime as a pirate to survive. The story is very dynamic — Ananna is constantly on the move. At first she just wants to get away from her arranged marriage, but when she finds out that an honest-to-goodness assassin is after her, her desperation ramps up. Assassins, it is said, are not just killers. They are blood magicians. It seems likely that Ananna will die–until a turn of luck puts Ananna in an partnership with the very assassin sent to kill her.
Ananna is a handful, with a lot of rough edges that come through in her narrative (“The sea crashed against the big marble wall, spray misting soft and salty across my face. I licked it away and Mama jabbed me in the side with the butt of her sword.“) Although she is seventeen, not more than five years younger than Naji, the assassin, her unrefined manners and pirate’s vernacular (peppered with ain’t‘s, double negatives and bravado) made her seem younger. It’s suggested that Naji sees her that way too – he is horrified by the whole situation. Assassins are by their very nature solitary. They do not spend their time looking after teenage girls.
There’s a gentle humor in an uncouth pirate girl taking on a magic-wielding ninja-assassin, then the two being shackled to one another. Even in the most dire circumstance, Ananna’s luck always leads to a path of ever-increasing disaster, and the story seems to acknowledge this with sly nudges. It’s not enough that Ananna has the wrath of a pirate clan behind her and she’s stuck in the middle of the desert, no, an assassin joins the chase. When Naji switches sides, things do not get better, instead they seem to get worse. The Hariri clan still wants Ananna dead and Naji has enemies of his own, enemies scarier than the Hariri– who now have Ananna on their radar. As Naji and Ananna continue their adventure, the hits keep on coming.
The setting of The Assassin’s Curse is something out of the usual Desert and High Seas Adventure canons. The magic of this world has familiar elements too – blood, herbs, an invocation, and an affinity, all combine to create a spell, but there is something new and fresh in Ananna’s experience of it. Her voice with it’s street edge, mixed with the meshing of familiar concepts in new ways (pirate and assassin, desert trek and sea adventure, a dash of weird thrown in for good measure) really makes the story. That, and the bickering between reluctant allies Ananna and Naji. I really enjoyed the way their relationship slowly developed through the book and the hope that it could develop into something more.
Ananna’s pirate persona and voice may not appeal to some, but while I did find Ananna young and hotheaded (with an odd resentment towards attractive people), this just made her realistically flawed to me. Likewise, Naji’s hang-ups with appearances showed his own human weakness. I hope this doesn’t turn into a story that advocates a bias against beauty, but I don’t think it will. I expect to like the next installment just as much as this one, and I plan to read it when it comes out. This was a lot of fun and I’m excited to see more.
Overall: The Assassin’s Curse an entertaining Fantasy YA story: it has swashbuckling adventure, a pirate heroine, and a blood magic-wielding assassin, for crying out loud. If that is something that appeals to you, I say try this one and read it for the brain-candy enjoyment of it. I read it in four hours. I had a good time. I will come back again for a continuation to this ride.
Assassin’s Curse comes out next week (October 2nd US/Canada, October 4th UK).
I’ve been meaning to get to this series. Ever since Tithe, I’ve been a fan of Holly Black, plus this was supposed to be a YA with supernatural elements and a con artist protagonist. What’s not to like, right?
A big thank you to fellow book blogger, Laura of A Jane of All Reads for my copy!
The Premise: (taken from the blurb) “Cassel comes from a family of Curse Workers – people who have the power to change your emotions, your memories, your luck, by the slightest touch of their hands. And since curse work is illegal, they’re all criminals. Many become mobsters and con artists. But not Cassel. He hasn’t got magic, so he’s an outsider, the straight kid in a crooked family. You just have to ignore one small detail – he killed his best friend, Lila, three years ago.
Cassel has carefully built up a facade of normalcy, blending into the crowd. But his facade starts to crumble when he finds himself sleepwalking, propelled into the night by terrifying dreams about a white cat that wants to tell him something. He’s noticing other disturbing things too, including the strange behavior of his two brothers. They are keeping secrets from him. As Cassel begins to suspect he’s part of a huge con game, he must unravel his past and his memories. To find out the truth, Cassel will have to out-con the conmen.”
My Thoughts: In Cassel Sharpe’s family, everyone is a curse worker except for him. With one touch they can bestow a “curse”. His mother can manipulate people’s emotions, his grandfather can kill, his oldest brother, Philip, can break bones, and Barron, the middle brother, works luck. Although curse workers are rare and blowback exacts a cost for each working, curse workers are the reason why everyone in the U.S. wears gloves and keeps their skin covered. Being the only normal in a family of workers is hard for Cassel, but thankfully, he has his family’s other talent to fall back on: swindling people. While his brothers rely on their curse worker skills, Cassel grew up fine tuning his ability to manipulate others by conventional means.
Now Cassel is enrolled in a private boarding school, but when he wakes up on the roof of his dormitory without any idea how he got up there except a dream of a white cat, his stay at Wallingford is put on hold. This is purportedly for the insurance liability, but Cassel suspects it’s because people think he might be curse-worked. Cassel has been careful at the academy so that people would forget his past– that he comes from a family of crooks and conmen, but this one incident reminds everyone. Despite this, when Cassel goes back to his parents’ house all he wants to do is hustle his way back into the school. In between the house cleaning his grandfather has him do, Cassel is on damage control and smoothing his way back in. But while he is figuring that out he notices some telling behavior from his family — especially from his brothers. They’re keeping secrets from him, and Cassel suspects these secrets are more than just hiding things from the non-worker. He suspects they have to do with the night he killed his best friend Lila.
One of the stronger aspects of White Cat was its world building. The idea of workers, a very small percentage of the population with genetically passed abilities, fits seamlessly into the story. Cassel lives in a world where their existence is a given, and he offhandedly mentions what most people in his world already seem to know: that workers exist in the criminal fringes of society, a fragment of a percent of the population, but everyone wears gloves because of them. Gloves have become so de rigueur that Cassel feels uncomfortable if he sees bare hands. A fear of workers is part of day-to-day life: people wear charms to protect themselves from being worked, and there is also an ongoing controversy about legislation requiring everyone be tested for worker ability. What isn’t as well known is how the abilities work, and here Cassel knows more than the average person because of his family.
What was less strong was the character development, unless we’re talking about Cassel. Since White Cat is told from Cassel’s point of view, he is the most well developed character. The sense of isolation — both from his family for being a non-worker and for Lila’s death, and from the other students at his school, is in his every action. He doesn’t seem close to anyone, and only relies on others when he’s forced to (it goes against what he was taught). He’s a great broody teen guy character and I really enjoyed getting in his head and seeing how his upbringing has messed with him. Unfortunately, that isolation made the supporting characters difficult to know: they got little page space compared to Cassel, and what there was was filtered through Cassel’s walls. Cassel is least familiar with his classmates but they are probably the most likable characters. His brothers are distant and untrustworthy, his sister-in-law disconnected, and his mother a manipulative nightmare. His grandfather seems to be the only one in the family with a proper concern for Cassel, but he’s left out of the loop. Even Cassel’s romantic relationships are dysfunctional ones and it’s not clear if Cassel understands either girl he thinks he loves.
As for the plot – I liked the mystery aspect to this story. There’s a sense of urgency to figuring out what’s going on — that until he does, the cards are stacked in everyone else’s favor. I really loved the concept of what was going on when all was revealed, but I figured things out a lot quicker than Cassel does, and I wasn’t as wowed by the twists as a result. It was nicely done, but there were so many clues that I ended up questioning Cassel for not being quicker on the uptake. Also, because so much is made of Cassel being a normal in a family of workers and having to hone his skills as a confidence artist, I had a certain expectation of Cassel as a manipulator. I think I was expecting Cassel’s tricks to be more.. tricky, than they were. Instead they felt really obvious. I don’t know what this says about me, but I seem to be in a decided minority in feeling this way.
Overall: I loved loved loved the concept, world building, and voice. But. Other than Cassel, a lot of the side characters weren’t fleshed out and I wasn’t as surprised by the story as I wanted to be. I liked this one, and feel like it has that Holly Black writing that sucks me in, I just wasn’t in awe (and I really wanted to be). That said, I think a lot of people liked this one more than I did, and I liked it enough and am curious enough to continue this series with the next book, Red Glove.
Bunbury in the Stacks – “Cassel is one of those bad boys that you just can’t help but have a thing for…because he’s also kind of a good guy. “
Chachic’s Book Nook – “While I didn’t find White Cat amazing, I still recommend it to fans of urban fantasy.”
Stella Matutina - “I was somewhat less interested in the plot than in the overall setup.”
Steph Su Reads – “Don’t miss it!”
Jawas Read, Too! – “White Cat is an impressive and entertaining read.” (8 out of 10)
Read. Breathe. Relax – “White Cat is a must-read.”
See Michelle Read – “In this exceptionally character-driven novel, Holly Black has crafted a world so unlike any other YA book I’ve come across. White Cat is dark. Gritty. Intense. Just my kind of story.”
The Curse Workers website
P.S. I was tickled by the image of a mystery girl on the spine of the hardcover. Easily looked over, it’s a hidden detail.
Last Tuesday evening there was an Author Interviews Author event at Books of Wonder featuring YA authors Melina Marchetta, Kristin Cashore, and Gayle Forman. Luckily for me, I live close enough that I was able to go and attend the event after work!
I was good too — I took copious notes for the blog during the interviews. Here’s the lowdown of two hours of authorly goodness. Please note that I don’t write that fast, so this shouldn’t be considered verbatim — just the general gist of the conversation. And sorry about my blurry photos, I politely turned off the flash and I think my 5 year old camera just isn’t that great in with low light.
All three authors (who are all friends) noted that they have one thing in common besides writing young adult: they all wrote “companion novels”. Companion novels aren’t true sequels because they were told from a different point of view from the first book in the same world, and in some cases, could be read out of order. All three authors had a similar experience with their companion novels–they weren’t planned. Gayle Forman said she had no intention of writing Where She Went, and Melina Marchetta said she didn’t know there would be a sequel, she thought she was finished when she wrote Saving Francesca. The same with Finnikin of the Rock. Melina didn’t like Froi at first, she just thought he was a tool in her story. She didn’t realize that Froi would get a book until the next year. On the other hand, Quintana was always going to be in a sequel, once she had written 500 pages for Froi and realized there was no way she could end it just yet.
Ways you can “screw yourself” doing things this way
Cashore had to slow things down in Graceling because her characters were moving too quickly, so she created an impenetrable forest, but in Bitterblue, when her characters had to move fast, there was the forest!
Marchetta had a tricky area to deal with because she had a character who loved musicals in one book, but in the other he flipped out over having to listen to Jesus Christ Superstar during a car trip. She says if anyone asks, she explains the discrepancy by saying the character grew out of liking musicals.
Forman says she wished she’d chosen a different name for Adam’s band.
Speaking of names, Cashore noted that names mean different things in different languages. Po means “butt” in German, and Katsa is Italian for penis.
Negative reactions from readers
Cashore talked about getting some backlash because her book Graceling was seen as anti-marriage and anti-having kids. She notes that the author is not the same as the characters (her phone has a picture of baby as the wallpaper and is “full of babies”), but while she got a lot of positive messages from readers, every so often she got abusive emails. Now she stays off goodreads and no longer accepts comments on her blog posts, and she also doesn’t have a public email address anymore. She decided to do this for peace of mind, but on the other hand, she met Melina Marchetta through an email, so she acknowledges she is missing out on the positive connections from having a public email.
Marchetta’s comment on reviews was that the author is not the audience of the review and that she keeps separate from the negative reviews.
Forman said that she got backlash from the swearing in her books. She says that her family swears at home, even her mother swears, but that doesn’t make them bad people.
This is where each of the three authors read a small passage from their books in which the sexual tension between characters was shown. Cashore read a very small scene from Bitterblue in which Bitterblue and Saf have a moment. Forman read a scene from Where She Went where Adam and Mia were wandering around New York together, and Marchetta read letters from The Piper’s Son between Tom and Tara. [note: for video clips of these readings, check out the recap on The Readventurer!]
Marchetta: With sexual tension, it is the insecurities and vulnerabilities that come through. The reader picks up on these and realizes that these characters are broken and are the only two people who can put each other back again.
Cashore: Conflict and the power dynamic are also important. These two people are the only two people who can take each other on. They go back and forth, but they are an even match. Also, what you don’t say is important.
Forman: an adversarial relationships heightens the sexual tension, there is a delicious dynamic.
Switching points of view
Marchetta discussing how Froi arrived, talked about her friends and an long-running joke in which they play “You Raise Me Up” to her. She had just written a scene in Finnikin in which the captain and the guard had put people up on their shoulders, including Froi. Hearing the song soon after that, Marchetta realized that Froi was a player in the story.
Cashore: It was fun to write a book with Bitterblue, who is a character that is more aware of other people’s emotions. Katsa is more of a doer and doesn’t see things in the same way.
Forman: Switching point of view to continue a story is such a good way to do it because you learn things about the characters.
Cashore: didn’t realize how awful Leck was until she wrote his journals and in his point of view. It helped flesh out how horrible he is. Leck is the only character in all three books.
Marchetta says she didn’t understand why she was asked whose POV the book was from, because in Finnikin the book was mostly from his point of view. So she introduced quite early the different point of views in Froi of the Exiles so people wouldn’t be alarmed by the switches to multiple points of view.
Cashore: Switching points of view also helps with boredom. It’s more interesting with a different point of view.
During the discussion it was revealed that Kristin Cashore is working on a contemporary story (!), and this led to a discussion on how the transformation happened between Fantasy and Contemporary YA and vice versa.
Marchetta was staying in New York City for two months after writing Jellicoe Road and she was in the subway one day when she saw a poster with a picture of a refugee camp in Africa. Everyone in the car was speaking a different language and she realized that so many people are not in their homeland. By 2007, she had a novel in her head, but she didn’t want it to be too political, so she decided to write it as a Fantasy. Her grandparents were immigrants and had always talked about going back to visit their homeland, so that became part of the spark for Finnikin. But she feels like Finnikin is not so different from her last novel just because it is a Fantasy.
Cashore said that her very first work was realism, and it was the characters that dictated the story and made it a Fantasy.
Q&A: How did you create characters that are abrasive and difficult to like and then make us love them so much it hurts?
Forman: Because you love them.
Cashore said her crankiest character is probably a librarian character in Bitterblue. When you are having fun, readers will pick up on it and like a character.
Marchetta: People start off not liking a particular character of hers, but they see that he uses the name “Anabelle’sbrother” online. This is a clue that he isn’t that bad. Marchetta uses little things like this as a promise that everything will come out right.
Cashore remembers at this point that her cranky librarian has a cat, which underlines what Marchetta just said.
Q&A: Most Helpful Advice from an Editor
Cashore: “Would you consider starting from scratch?” was what her editor said to her after an 800 page draft that took three years. The change of mindset made a difference.
Forman couldn’t come up with a specific piece of advice and says that her editor was key through edits.
Marchetta: “The word ‘said’ is a good word”. So don’t try to use “mocked” and other words like that when “said” will do. Also, “don’t be a thesaurus, use a thesaurus.”
Cashore: “Don’t let fear make your decisions.”
Forman: You can’t control anything in publishing except the book you are working on in the moment.
Cashore: The reviews that bother her are when the reviewer speculates what the author was trying to do. When people try to guess who the author is, it irks her.
Marchetta advises to stop reading a review when you read “I really wanted to like this book..”
Q&A: Creating Characters
Marchetta: the story begins with the characters. She waits for them to come to her and “observes” them and “listens” to their conversations with who they bring along.
Cashore: has a similar process to Marchetta. She observes. Some characters are easier. They’re talkative. Some aren’t, for example, Saf, who was taciturn. There’s a lot of conversation and dialoging that happens. You’re trying to reveal the characters through words.
Forman: You think you know a character up until you write. The process is endlessly surprising. Characters seem to have a mind of their own.
Marchetta: did not understand Quintana at first. Quintana changed her personality a lot, and Marchetta didn’t understand her for a year, then, during a walk with her dog, it came to her. Too much thought messes up the process — don’t fight them and try to make them into something they’re not.
Q&A: Intent of a book
Forman: It’s what she calls the Perfect Song Conundrum: she listens to an album and asks what the band/artist was thinking. Don’t they know they should do this and this to have the perfect song? there’s a chasm between the book you now it should be, and what it is. The best reading experience for her is cathartic, and leaves her different from how she was when she started.
Cashore: is trying to make a small, simple, emotional point. She tries to write for herself, writing as a writer, and later goes back as a reader. She tries to convey a feeling, and after a bunch of getting it wrong, in the end she gets to the place she wanted to.
Marchetta: Don’t think too much about it. The purpose is to entertain, but make sure you are always in love with the world. She knows it will work out when she’s still in that state when she finishes writing. Also she loves to think that she writes to make a connection.
Cashore: With Graceling she didn’t build the world first. She did it as she went along, and she thinks this was something of a mistake. Fire is different — she used landscape more carefully in her second book.
Marchetta: Half-planned her world and half-didn’t. Froi hit the ground running because she had set it all up in Finnikin. Her personal travels gets used in her world building.
Q&A: What happened to Jimmy Hailer?
Marchetta: “I don’t know.” Jimmy didn’t come back to her. He was based on a real person, and when she knew him, he was an angry person, but now he is happy. You can’t force a character back to hear his story.
Q&A: Race in Cashore’s series
Cashore: The inhabitants of Dell seem darker skinned in Bitterblue, but not so in Fire. The reason is that in Fire, she made the characters darker-skinned, but she did it so subtly that readers missed it. Now that she has a chance to correct that in Bitterblue. Cashore feels like she failed a little bit in making the race difference too subtle.
Forman: Maybe you need to be less nuanced in Fantasy (about race).
The authors spent a little bit of time talking about cursing in Fantasy and how fun it was to make up swear words or to use quaint ones. Marchetta’s favorite was “swiving” and Cashore’s was “weaselbugger”.
So that was a really fun event, and I did run into a couple of other bloggers there (Catie from The Readventurer, Heidi from Bunbury in the Stacks, Sasha from Sash & Em, and Grace from Books of Love). I also got a few books signed:
- If I Stay by Gayle Forman – I hadn’t tried this author before and decided I would give the first book of this series a go. (bought at Books of Wonder)
- Bitterblue by Kristen Cashore – I was sort of unsure of buying the hardcopy because my other two copies of books in this series are trade paperback, but I couldn’t wait. (bought at Books of Wonder)
- Saving Francesa by Melina Marchetta – I am ready to try one of Marchetta’s contemporaries and this series appealed to me. Really wanted a copy of The Piper’s Son too, but couldn’t find one. (bought at Books of Wonder)
- Jellicoe Road by Melina Marchetta – This book has been recommended all over the place and I WILL read it one day! (brought from home)