I won an ARC of this book last year but didn’t get around to reading it until: a) I heard so many good things about it from my fellow readers, b) I heard Cat Valente speak at a NYPL event and, most importantly c) it was chosen by my readalong buddies Holly and Chachic.
The Premise: September is a twelve-year old girl, tired of the same thing at home while her father is away at war and her mother works in a factory. Then one day while she stands over the dishes, the Green Wind sweeps in through her window and asks her if she’d like to come away with him to the great sea that borders Fairyland. Of course she says yes, and pretty soon she is stepping through the closet between worlds in a green smoking jacket and meeting witches and a Wyvern. September would like to enjoy Fairyland, but ever since Good Queen Mallow disappeared and the Marquess took over all is not well.
My Thoughts: There are layers to The Girl Who Circumnavigated Fairyland. On the surface, it’s a story of a girl who escapes her humdrum life and has lovely adventures in Fairyland. I think young children would enjoy the descriptions and the lush language (it has the sort of omnipresent narrative with dashes of whimsy and color that would be perfect for being read aloud, one short chapter at a time). On a deeper level, there’s poignancy and gems of insight in September’s adventure that makes this a book that will resonate with mature readers too.
The surface story reminded me of Alice’s Adventures in Wonderland, but more of The Phantom Tollbooth (a book I grew up adoring), in which a bored boy is transported to the Kingdom of Wisdom via magic tollbooth and has to rescue two princesses whose banishment has caused disharmony.. With Queen Mallow’s disappearance and her replacement by the Marquess, and the playful of storytelling and its characters, I saw a lot of parallels, but as I read further on, they fell away. The Girl Who is a lot more complex. The prose is full of lush vocabulary and description. Fairyland manages to be both a wonderful dream, but it also holds reminders of life’s realities.
So September is whisked away to Fairyland. As can be expected, it is a place of magic, with its own strange rules. September is flown there on a flying leopard with the Green Wind and has to put together a puzzle and get through immigrations in order to enter. Once there she meets three witches (one a wairwulf) who tell her that the Marquess has stolen their Spoon, which September offers to retrieve. Along the way, she meets a wyvern, A-Through-L, who is the son of a Library, and whose wings are all chained up on account of the Marquess’s new rules. Not liking this Marquess the more she hears about her, especially when compared to the Good Queen Mallow, September goes to Pandemonium (the capital of Fairyland) to meet her, and picks up another traveling companion – a boy named Saturday that grants wishes. That, in a nutshell, is the start of September’s adventures, but it doesn’t really describe the experience. Maybe this tidbit will help show you:
September let go a long-held breath. She stared into the roiling black-violet soup, thinking furiously. The trouble was, September didn’t know what sort of story she was in. Was it a merry one or a serious one? How ought she to act? If it were merry, she might dash after a Spoon, and it would all be a marvelous adventure, with funny rhymes and somersaults and a grand party with red lanterns at the end. But if it were a serious tale, she might have to do something important, something involving, with snow and arrows and enemies. Of course, we would like to tell her which. But no one may know the shape of the tale in which they move. And, perhaps, we do not truly know which sort of beast it is, either. Stories have a way of changing faces. They are unruly things, undisciplined, given to delinquency and the throwing of erasers. This is why we must close them up into thick, solid books, so they cannot get out and cause trouble.
As you can see, the narration seems well aware of the traditional stories of children who go to have adventures, and September, a reader herself, is aware as well. There’s a consciousness that comes with the creative madness – as if the story is quite cognizant under its merry storytelling of all the other stories in which children are taken to Fairyland, and of all kinds of other things. This made me feel like I had to pay attention to the details so I wouldn’t miss anything. At the same time there was a lot of playfulness that comes out in the words and descriptions, and the setting itself is like another character. I think that feeling of having to pay attention while the story was also so lush in describing the wonder of Fairyland hurt my reading speed initially. I had to slow it down to a crawl so I could digest the story in manageable bites. Things hit their stride when the story, previously innocent and fairly light, took a turn for the more serious.
When I say it became more serious, I think it depends on the reader how things will affect them. It remains, as always, light on the surface. I can see children reading this and seeing a straightforward adventure that they could enjoy, and they may not wonder too much about things like whether September’s flight to Fairyland represents her escaping her own reality (in which her father is fighting in foreign lands and her mother works in a factory leaving September alone by herself), and whether the wyvern has created a father he can more easily accept than one that abandoned his family. When September begins to face the work of the Marquess, I saw a lot of underlying themes packaged in a fairly harmless manner. It’s Good (September) versus Evil (the Marquess), but look closer and there are shades of grey, commentary on childhood, fear, growing up, and death. All of these things aren’t in your face – just gently touched on so that you can contemplate them later at your own leisure, long after the pages are closed and that lovely ending has faded.
Overall: This is a fairytale that works for many ages. If you are looking for depth you will find it, but if you are looking for straightforward adventure, you will find that too. The writing itself is colorful and odd and really rich in substance. It’s the sort of writing you can read aloud, but not meant for fast flipping. I enjoyed the experience once I realized that this was one I had to consume at my own pace.
To see what my readalong buddies thought of this one, take a look at their reviews posted today: Chachic / Holly.
Buy: Amazon | Powell’s | The Book Depository
A Room with Books – “a book that deserves to be read by anyone”
Calico Reaction (has spoilers) – 8 – Excellent and “an easy book to recommend to anyone who has a soft spot for classic fantasy literature, for stories where fairylands are equally magical and dangerous, for beautiful, imaginative prose and ideas”
The Book Smugglers – top 10 of 2011
The Girl Who Ruled Fairyland – For a Little While, short story prequel up on Tor.com
I love that September is aware of which classic fantasy literature her own story owes. I think both the language and the setting being a character make this a dense novel to read. I think most of the readers who thought they would like this but didn’t ultimately weren’t able to accept the different approach they would need to accept for reading this at a different pace and way than they were accustomed to. Excellent review, as always Janice. 🙂
*nod*. Yes, what you said so nicely there! That’s how I felt about my own pace at the beginning and why I think some people had trouble with THE GIRL WHO.
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There’s a consciousness that comes with the creative madness – as if the story is quite cognizant under its merry storytelling of all the other stories in which children are taken to Fairyland, and of all kinds of other things.
Love that section of your review! It looks like we all felt the same way about the book but like you mentioned, we focused on different things in our reviews. 😛 I quoted several bits and I think it’s great that I picked the same sections as you and Holly. I was telling Holly that it looks like fantasy works as a readalong pick for us. I like what you said about how this book would be good for readers of all ages – grown ups will take note of different layers while children will appreciate the whimsical aspects.
PS: I really need to read The Phantom Tollbooth.
🙂 This is true. We should think about another fantasy one next then..what IS next, by the way?
YOU DO. I think you’ll find it a faster read than this one and quite charming. It’s definitely for kids, I reread bits of it recently and found it still stood up.
No idea what’s next, maybe we can talk about it on Twitter instead of comments so all three of us chat about it.
I need to unearth my copy when I go home this weekend. LOL I have no idea how many books I’ll be able to take back with me to Singapore because I need to grab so many other things as well.
I love love love this series of books. I dont’ usually go for YA stuff, but other than being sex, violence, and swear-word free, this isn’t really a YA book. It’s a stunning classic. This is a book that changes with you, read it again every few years, and everything will reflect differently. I can’t put into words how much I love the work of Cat Valente. She’s a treasure.
Yeah, definitely a classic. 🙂 I really need to get to the next book.
Ack! I still need to read that short story AND the second book in this series, which I was lucky enough to pick up at BEA (and of course, fangirl all over Cat Valente).
I love this review, Janice! You’ve captured this book so eloquently. I completely agree that this story has the adventure and charm on the surface, and something so much deeper underneath–something you really have to look closely and pay attention to. I love that it’s one of those stories that can be perfect for all aged readers–there certainly is something there for children and adults alike.
Ah, well I read the short story but I still need to read the 2nd book!
Thanks Heidi. Yeah, I understood after reading this one why it’s got a lot of fans.
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