The Native Star by M. K. Hobson

The Native Star
M. K. Hobson

I bought this book based purely off this review by calico_reaction over at Dreams and Speculation. Wild West setting with an alternative history involving Warlocks and Witches? I shall have to try some of that.

The Premise: It’s 1876, and Emily Edwards, the Witch of a small town called Lost Pine, is getting desperate for money in the face of competition from the fancy mail-order company, Baugh’s Patent Magicks. So she does a bad thing. She creates a love charm and uses it on Dag Hansen, the timber man who has brought jobs and prosperity to Lost Pine. When she does, she’s almost immediately called out for it by the town clairvoyant, Besim. Besim also reveals that the zombies working in the town mine are going to break free. Besim is ignored by everyone, since he’s made bad pronouncements before, but Emily knows he’s not lying about her use of bad magic, so she goes to check out the mine, along with irritating town newcomer, Warlock Dreadnought Stanton. One thing leads to another and suddenly Emily has a mysterious blue stone lodged in the palm of her right hand, she’s fleeing Lost Pine with Dreadnought Stanton, and evil Warlocks who want the stone are trying to kill them both.

My Thoughts: This reads very much like a Wild West cross-country adventure which just happens to be set in an alternative world where magic is an accepted part of life. I imagine Emily Edwards and Dreadnought Stanton are dressed up much like Jodie Foster and Mel Gibson in Maverick, (minus the confidence artist personalities), as they take horse, train, and a hybrid mechanical-magical flying machine from one destination to another, chased by various men bent on getting the blue stone embedded in Emily’s hand. The author has mentioned in guest posts a pulp novel influence, particularly Horatio Alger, and she eludes to the influence in The Native Star with characters who read pulp fiction from Mystic Truth Publishers, and magazines like Ladies’ Repository.

The world building goes along with the pulp fiction influence. There’s Wild West adventure staples mixed with Victorian era sensibilities. Emily has to deal with being a woman in a world where women were often expected to stay at home and act proper, but she’s grown up with a lenient father in a town where she is respected for her witchcraft. When she ventures outside of Lost Pine, the disparity between her rural upbringing and the straightlaced expectations of how she should act is a big one. There’s even a sort of woman’s suffrage movement in the form of a group called the Witches Friendly Society.

Along with this mixed attitude about women, is a mixed attitude about magic. It’s something everyone knows exists, but whether magic is a natural part of life and can be explained scientifically or as the work of the devil depends on who you are talking to.  This world is on a cusp of change, and I think that whether Progress comes at a price is a big question. Some advancements are for the better, but some come at a cost that people are only beginning to discover.

Of course, it’s often the bad guys of the story with the condescending attitude towards women or who want to eradicate all Witches and Warlocks. Her companion on the road, Dreadnought, clashes with Emily over other things. The two have a bickering sort of relationship and although this sort of thing suggests a romance is on it’s way (which is correct), the romance is a very low key one — the adventure and magic are in the forefront of the story most of the time, and the banter gave me a little chuckle or two as a bonus. This is not one of those stories where there’s a lot of sexual tension in my opinion, maybe because the focus on the book is more on the plot than it is on character development.

I enjoyed the way that magic was explained in this story. There are three forms of magic – animancy (spirit magic), sangrimancy (blood magic), and  credomancy (belief magic). Emily Edwards, who with her Pap, the local magic practitioners of Lone Pine, California, practice animancy. Dreadnought Stanton is a credomancer, and his magic comes from belief. The use of blood magic (sangrimancy) has been outlawed with a notable exception. Hobson takes the idea of magic and a natural explanation for it a bit further when she introduces an ecological component — magic, once used is absorbed by the Earth and recycled, and the process creates waste in the form of a sticky black tar-like substance known as Black Exchunge.  This has some significance in the story and I enjoyed learning as the Emily and Dreadnought did, the significance of Emily’s blue stone in relation to magic.

I’m looking forward to the next book, The Hidden Goddess, out this April.

Overall: A very fun story that combines pulp fiction, magic, Wild West adventure, a bit of steampunk and romance in a seamless way. I enjoyed the alternative history and how magic fit into the Victorian mindset where Progress and Tradition often butted heads. This is very much a plot-driven story, and I liked how the world-building felt effortless. The only thing that I personally would have liked was more room to really delve into the two main characters, but the second book promises to give us more, so I’m looking forward to it.

Buy: Amazon | Powell’s | The Book Depository

Other reviews
The Book Pushers – 5/5
Dreams and Speculation (guest review by Calico_reaction) – 7/10
All Things Urban Fantasy – 4/5
The Book Smugglers – 8/10

Guest Post at The Book Pushers

The Architect of Sleep by Steven Boyett

OK, I had to post about this book after I that last book I discussed – because it got me thinking, sometimes I just get a kick out of a really crazy story. Speaking of rather out there books that I liked.. The Architect of Sleep by Steven Boyett is possibly the most out there book I've read in the past few years. I picked this up for 25 cents or something in a thrift store in Sedona last Christmas. It's out of print and Amazon doesn't have an official picture but if you click on the link to the amazon page there is a customer picture. Its somewhat …well I don't know if its a giant cat with an earring or what.. but it was cheap and I recognized the author's name because I'd read online that his book Ariel is worth reading (still have to find that book).

This is the general setup: Jim Bentley goes about his business on a typical day - feeds his dog, makes plans to see a movie with his girlfriend, checks in with work at his nightjob at a 7-11, and then goes spelunking for the day. Then his life is turned upside down when he goes through some kind of weird portal in the cave. Everything looks different, species almost extinct on Earth are plentiful and he can't find a sign of his vehicle or anyone else. And then he meets a raccoon who is much larger than raccoons he knows, and who is much more intelligent – able to use sign language to communicate. Jim says "Need I say it? I was Charlton Heston. This was Planet of the Raccoons". Isn't that AWESOME?!! Hello? A raccoon race using sign language?!? And there's so much more like how the government works and .. OK I think my credibility is going.. Well when I explain it like that – its about a race of intellegent racoons in a world where apes never evolved into humans.. it sounds very kooky, but its more interesting and less laughable to read than it sounds. And most reviewers on Amazon gave it 5 stars, so I'm not deluded, I sweaarr.

The story was very well written – Jim's emotions are believeable and the pace in which he learns about the culture and assimilates the language and what has happened feels real. This is written from the first person objective of both Jim and Truck (the first raccoon he meets). A great deal of thought has gone into explaining the sign language of the raccoons and their verb/tenses, which I found to be fascinating. Their hierarchy and the tale of civil unrest and intrigue was fascinating as well. I would say that the detail in the world building here is very well done, maybe even too well done.. - this book is the first part of a planned series and because of a disagreement with the publisher, there were no more books published. I think the publisher told the author – too much detail, cut out a lot of world-building things and the author disagreed and then bought back his contract. He may be kicking his younger self now though I'm sure at the time he didn't feel like the publisher was right. This is from the author's website:

"A few years ago I reread Architect & Geography. Midway through the second book I found myself thinking, Will you get to the damned point? It was too slow. There was too much detail. Background and foreground had traded places. It was as if my notes for the novel were in the novel. In other words, folks, Ace Books was right on the money in many of their comments. Mea culpa, mea maxima culpa. "

Steven Boyett's website indicates that he is working on the sequel(s) and on publishing it/them. More on that here: (I found the whole explanation of what happened fascinating because I'm nosy and want to know that kind of stuff).

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